Yarwood, A.T. 'The Reverend Samuel Marsden: an introductory sketch', St John's Cathedral Parramatta, 23 May 1992.
Yarwood, A.T. 'Marsden and Macquarie: the case for revision'.
'In memoriam Right Reverend Henry Archdall Langley, first Bishop of Bendigo 1902-1906' The Bendigo Church News September 1, 1906 (photocopy).
Rowe, Gordon. 'Methodism on the copper mines of Yorke Peninsula, S.A.' 19th September 1951.
SAMS Pioneers of Australia: The Reverend George Pakenham Despard.
Berry, Digby. 'The Mass: and its history of superstition and crime' 1913. With accompanying letter by Stephen Bradley, 15/09/1990.
Biography of Digby Berry (3 p.)
Biography of William Charles Sadlier (2 p.)
Photocopy of preface of 'Letters from China: The story of the sister martyrs of Kucheng' by Keith Cole. Mentions Digby Berry.
Photocopy of pages 45-47 from 'The Church of England in South Africa' by Anthony Ive. Features photo of Digby Berry.
Typescript article on Samuel Marsden’s legacy and depiction in Robert Hughes’ ‘The Fatal Shore’ (undated, 4 p.)
Yarwood, A.T. ‘Arthur Phillip – half a hero’ The Independent Monthly, May 1990.
Photocopied issues of ‘Willing Work’ 1877-1879
Hawkesbury Historical Society ‘Walking tour of historic Windsor’, 1977.
Historic Hawkesbury, third edition, 1977. Hawkesbury Historical Society
Bowd, D.G. ‘Wilberforce Public School 1880-1980’
‘Wilberforce Public School’ typescript, 26 p.
St John’s Church of England (Wilberforce) Centenary Church Service, order of service, 1959.
Wymark, Marjorie ‘The history of the Macquarie schoolhouse 1820 and Saint John’s Church 1859’, 1970.
Wymark, Marjorie ‘The history of the Macquarie schoolhouse 1820 and Saint John’s Church 1859’, second edition.
Wilberforce Public School Centenary 1880-1980.
The Hawkesbury District Tourist Association guide to historic buildings, Windsor, Richmond and the Hawkesbury District.
‘The Challenge’ St Matthew’s Windsor.
Wymark, Marjorie. ‘Governor Macquarie and the case for the court-house portrait’
Copy of illustration: ‘Daniel O’Connell Inn, 1834 – now the Museum.’